Case Study · Entertainment · 2024
From arena IMAG to a cinematic concert film
Client: Aurora (artist)
- 12
- cities, one consistent pipeline
- 4 wks
- from final show to film delivery
- 1
- crew serving both formats
The challenge
The artist’s team wanted arena screens served live every night — and a theatrical-quality concert film from the same cameras, without a separate film crew.
The signal path we designed
Specified cinema glass and dual-format recording: broadcast-safe IMAG cuts live, log masters recorded isolated for the film edit.
Timecode-locked 96-channel multitrack audio to picture on every date, building a tour-wide library for the edit.
Graded the film with the artist’s creative director against the tour’s lighting design rather than broadcast defaults.
“The film looks the way the tour felt. No compromise between the room and the lens.”
Have a challenge like this?
Tell us about your event, audience and platforms — we will engineer the signal path that gets you there.